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COMPOSERS

Life

His training took place in a crucial transitional era, where the final glimmers of Neoclassicism and the rising sensitivity of Romanticism coexisted—the style in which his artistic maturity would later be fully expressed.

Born in Arpino in 1796, Carlo Conti received his musical training in Naples, where he studied under authoritative masters such as Giovanni Furno, Giacomo Tritto, and Fedele Fenaroli. His career was strongly linked to the Conservatory of San Pietro a Majella, the heart of Neapolitan musical life.

In 1846 he succeeded Gaetano Donizetti as professor of counterpoint and composition, a position of great prestige. His authority and pedagogical rigor made him a central figure for generations of musicians.

He was also an esteemed theorist, and among his pupils were leading personalities such as Vincenzo Bellini, Paolo Serrao, Nicolò Gabrielli, and Costantino De Crescenzo. He died in Naples in 1868, leaving an indelible mark on the Neapolitan musical school.

Aneddoto

Donizetti's legacy

When he took over from Donizetti as teacher, many students feared the change, but Conti was able to quickly earn respect and esteem for his method.

Works

Despite his fame as a teacher and theorist, he also wrote sacred compositions and pedagogical works, less known today but significant for understanding his musical activity.

Briciole di storia

Carboneria in Naples

On the night between July 1st and 2nd, 1820, in Nola, in the Kingdom of the Two Sicilies, two young cavalry officers affiliated with the Carboneria, Michele Morelli and Giuseppe Silvati, started an insurrection. Shouting "God, King, and Constitution!", the revolt quickly spread to the entire army, led by the prestigious General Guglielmo Pepe. King Ferdinand I, frightened and unable to control the situation, was forced to yield and on July 7th solemnly swore to grant a Constitution based on the Spanish one of 1812. For a few months, it seemed that the dream of a constitutional monarchy in Southern Italy had come true, but the great reactionary powers of Europe, united in the Holy Alliance, were already planning an intervention and smothered that revolution in blood.

Ritratto romantico intimo, con incarnati perlacei, toni soffusi e sguardo partecipe.
Ritratto di Carolina Zucchi (La malata) (1825), Olio su tela di Francesco Hayez, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Torino.
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