Salta al contenuto
COMPOSERS

Life

His entire creative arc, from training to full maturity, unfolded consistently within the great flow of Italian Romanticism, reaching the threshold of post-unification Realism.

Francesco Canneti was born in Vicenza in 1807. He studied at the music lyceum in Bologna, distinguishing himself as a promising young talent. He debuted in 1830 with the opera Emilia, performed in Vicenza. His melodic vein was also appreciated in subsequent operas, such as Francesca da Rimini (1843) and Saul, performed at La Scala in Milan in 1845.

In 1848 he was appointed organist of the Vicenza Cathedral, a role he held with dedication, composing masses, requiems, hymns, and sacred pages that spread even outside the city. He published with Ricordi the treatise Il Contrappunto esposto con metodo facile (Counterpoint explained with an easy method) in 1869, intended for students and musicians.

Alongside his activity as a composer and organist, he dedicated himself to teaching, training numerous students. The city of Vicenza named the city auditorium after him, a sign of gratitude for his musical contribution.

He died in 1884, leaving a rich and varied production ranging from theater to sacred music.

Aneddoto

A Hall with His Name

In Vicenza, a modern auditorium bears the name of Francesco Canneti, a symbol of the city's lasting esteem for its composer.

Works

Canneti's catalog includes theatrical and sacred works. Among the operas are Emilia (1830, Vicenza), Francesca da Rimini (1843), Saul (1845, Milan, Teatro alla Scala). The sacred repertoire includes a Requiem, a Tantum Ergo for six voices, and numerous masses, including the Messa Sine labe concepta. He also composed hymns and cantatas.

Briciole di storia

The Martyrdom of Ciro Menotti

In Modena, the patriot Ciro Menotti organized an insurrection in 1831 based on the presumed non-hostility of Duke Francesco IV, who hoped to exploit the uprisings to enlarge his own kingdom. But on the eve of the action, February 3, 1831, the Duke betrayed him and had his house surrounded, arresting him after a brief struggle. However, the revolt broke out anyway the next day, forcing the Duke to flee and dragging Menotti with him as a prisoner. The insurrection spread rapidly to Parma and the Papal Legations but was soon repressed by the intervention of the Austrian army. Upon returning to Modena, Francesco IV had Ciro Menotti hanged, turning him into the first great martyr of the new Risorgimento wave.