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COMPOSERS

Life

His training took place in the heart of the Fin de siècle, an era where Verismo, Decadentism, and Symbolism intertwined, while his maturity took place in a 20th century marked by the revolution of Futurism and subsequent currents.

Pier Giulio Breschi was born on November 28, 1874, and developed a multifaceted profile, joining his passion for music with that for journalism and engraving. His figure testifies to the cultural vitality of an Italy opening up to the 20th century.

As a journalist, he distinguished himself in the direction of daily newspapers, while his activity as an engraver allowed him to express an artistic sensitivity linked to images and words. Music represented a further field of action, with compositions that enriched the Italian cultural landscape of the time.

He died on August 12, 1937, in Santa Margherita Ligure, leaving the memory of a versatile intellectual, capable of moving between different arts and being appreciated in multiple fields.

Aneddoto

A multifaceted talent

Breschi managed to naturally reconcile three different passions: journalism, engraving, and music, testifying to an inexhaustible creative curiosity.

Works

Among his musical works are vocal and instrumental compositions, often linked to the cultural and intellectual contexts in which he was embedded. No less important was his journalistic production, which influenced public opinion and contributed to the Italian cultural debate.

As an engraver, he also left appreciated works that reflect his artistic sensitivity. The combination of his activities establishes him as an original figure of Italian culture between the 19th and 20th centuries.

Briciole di storia

Opera-manifesto del Verismo italiano e simbolo del XX secolo, che raffigura l'avanzata pacifica ma inarrestabile di un corteo di lavoratori.
Il quarto stato (1901), Olio su tela di Giuseppe Pellizza da Volpedo, Museo del Novecento, Milano.
Pubblico dominio (Commons)