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COMPOSERS

Life

Trained at the height of Verdian Romanticism, his mature career took place in the complex climate of the Fin de siècle, an era in which the poetics of Realism, Verismo, and the new sensitivity of Decadentism coexisted.

Emilio Bozzano was born in Genoa in 1840 and showed a natural talent for music from a young age. After training in his city, he embarked on a career as an organist, distinguishing himself with technical mastery and artistic sensitivity that earned him high regard in local musical circles.

Aneddoto

A fixture of Genoese liturgies

It is said that Bozzano was so reliable as an organist that the faithful, upon entering church, would say that "the mass only begins when Bozzano plays."

Works

The catalog of his compositions includes organ pieces and sacred music, primarily intended for liturgical service. These works, often conceived for solemn celebrations, were performed regularly in the churches of Genoa, consolidating his reputation as a devoted and refined musician.

Among the remembered compositions are masses and motets, in which attention to counterpoint and chorality emerges, as well as solo organ pieces characterized by a strong sense of lyricism and a balance between technical rigor and melodic inspiration.

Briciole di storia

Here we make Italy or we die

After liberating Naples, Garibaldi faced his toughest test. The reorganized Bourbon army launched a massive counteroffensive along the Volturno River to retake the city. Between October 1 and 2, 1860, the largest and bloodiest battle of the entire expedition of the Thousand was fought. The Garibaldian forces, outnumbered, risked being overwhelmed but resisted with extraordinary courage. It is said that Garibaldi, at the most critical moment, harangued his men with the famous phrase: "Here we make Italy or we die!" The final victory of the Garibaldians was decisive: it saved Naples, ended Bourbon hopes of reconquest, and effectively delivered the South to a united Italy.