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COMPOSERS

Life

Her entire creative arc, from training to full maturity, consistently took place within the great stream of Italian Romanticism, of which she was one of the significant female exponents.

Marianna Bottini was born in Lucca in 1802 in a lively cultural environment that favored her early interest in music. From a young age, she received a solid musical education, which allowed her to successfully embark on a compositional career.

She established herself as one of the few female Italian composers of her time, with works ranging from the sacred repertoire to chamber music. Her scores reveal formal balance and melodic sensitivity, combined with a strong dramatic sense.

Marianna's life was spent entirely in Lucca, where she found both inspiration and recognition. She died in her native city in 1858, leaving behind a significant musical heritage that today contributes to re-evaluating the role of women in 19th-century music.

Aneddoto

A female voice in the 19th century

Her career aroused admiration because it demonstrated how even a woman, in an era of strong prejudice, could obtain recognition as a composer.

Works

Marianna Bottini composed sacred music, including masses and motets intended for the religious life of Lucca. Some of these works were performed in solemn contexts, testifying to the esteem she enjoyed in the local environment.

She also wrote chamber and symphonic music, contributing to the repertoire with works of refined taste and intense expressiveness. Her works, rediscovered today, offer a precious testimony to female musical creativity in Italy during the 19th century.

Briciole di storia

Ritratto romantico intimo, con incarnati perlacei, toni soffusi e sguardo partecipe.
Ritratto di Carolina Zucchi (La malata) (1825), Olio su tela di Francesco Hayez, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Torino.
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