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COMPOSERS

Life

Trained during the period of Realism, his long and prestigious career led him to reach full artistic maturity in an era of avant-gardes, where the aestheticism of Decadentism, the suggestions of Symbolism, and the radical rupture of Futurism coexisted.

Born in Salò on April 25, 1861, Marco Enrico Bossi belonged to a family of organists and musicians. From a very young age, he showed great talent, which led him to undertake in-depth studies and stand out on the Italian musical scene.

Aneddoto

An interrupted journey

Marco Enrico Bossi's life ended at sea during an Atlantic crossing. An unexpected fate that committed his figure to collective memory as a cosmopolitan master always on the move.

Works

Among Bossi's compositions are highly significant pages for organ, including the Symphonic Sonata in D minor Op. 60 and numerous preludes, fugues, and chorales. His organ writing, complex and inspired, enjoyed broad resonance even outside Italy.

He also wrote oratorios and choral music, such as the oratorio Paradiso perduto, and numerous orchestral works. His interest in chamber music led him to compose trios, quartets, and quintets, always with the intent of exploring new sound combinations.

His theatrical activity includes operas performed in Italy and abroad, evidence of his versatility and desire to challenge himself with every musical genre. Bossi's catalog remains a precious testimony to the cultural richness of the period and his international vision.

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Briciole di storia

Farewell to the Hero of the Two Worlds

On June 2, 1882, in his humble white house on the island of Caprera, Giuseppe Garibaldi died. The news spread rapidly throughout Italy, plunging the nation into deep sorrow. Not just a general died, but the last great protagonist of the Risorgimento, the legendary leader whose deeds had inflamed the hearts of an entire generation. In his will, Garibaldi asked to be cremated, but the government, for Church-related reasons, organized a solemn burial on the island. With his passing, an era symbolically closed—that of the heroic and passionate battles for independence—and Italy thus found itself orphaned of one of its most beloved and charismatic figures.

Scena di vita quotidiana che ritrae una fanciulla, probabilmente la figlia adottiva del pittore, mentre lavora all'uncinetto seduta su un muretto a Settignano.
Sulle colline a Settignano (1885), Olio su tela di Telemaco Signorini, Collezione privata.
Pubblico dominio (Commons)