
Modena, 'Fondo Luchesi' : T641d
copyleft
Luca Bianchini and Anna Trombetta are pleased to offer here on ItalianOPERA a whole selection of vocal and instrumental works FREE OF CHARGE for your enjoyment. Many of these are unpublished editions or world premiere versions. All AUDIO files are computer simulations of works in the Public Domain. You are welcome and allowed to copy, distribute and modify all these audio files (midi and mp3) and texts related to them (.html and .text) published here on the ItalianOPERA website with the exception of images and other formats (.pdf mus) on condition that you, the user, quote this web address and this Author’s name when you do so, according to the terms of Membership Licence. |
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T641d |
Luchesi
T641d
- Available here in audio versions only. Orchestral scores of these symphonies listed below and their instrumental parts are NOT currently available to members of this website. They are available here as AUDIO files only and are provided to you free of charge by ItalianOPERA © 2006. These audio versions can be shared with other persons free of charge, according to our copyleft. Any interested parties who wish to instrumentally perform/record these Modena versions are invited to first contact us here at
for more information.
I : Allegro (Mp3 921k) ;
II : Andante Moderato (Mp3 351k) ;
III : Menuetto : un poco Allegro (Mp3 667k) ;
IV : Allegro Molto (Mp3 841k)
- Structure :
Scored for Flute (solo), 2 Oboi, 2 Horns in C, Fagotto (solo), Violini I e II ; Viole ; Violoncelli ; Basso
- Movements : I Allegro ; II Andante Moderato ; III Menuetto ; Allegro Molto
- Observations :
Composed before 1774.
Nel primo Allegro ci sono alcune battute del tema che Clementi sviluppa nel Rondò della Sonatina op.36 n.5 ; nell'Andante ci sono alcune battute del tema popolare (aumentato nella seconda sezione) che Ciaikovski ha usato per il 'Capriccio italiano' ; l'Allegro molto finale è tipico d'una scrittura per voci ; alcune parti e alcuni procedimenti armonici e contrappuntistici dei quattro Movimenti rimandano ai lavori di Luchesi e in particolare all'Arlequin deserteur (1774)
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